Psywar

This film explores the evolution of propaganda and public relations in the United States, with an emphasis on the elitist theory of democracy and the relationship between war, propaganda and class.

Includes original interviews with a number of dissident scholars including Noam Chomsky, Howard Zinn, Michael Parenti, Peter Phillips (Project Censored), John Stauber (PR Watch), Christopher Simpson (The Science of Coercion) and others.

A deep, richly illustrated study of the nature and history of propaganda, featuring some of the world’s most insightful critics, Psywar exposes the propaganda system, providing crucial background and insight into the control of information and thought.

Fromhttp://www.youtube.com/watch?v=nSh6qtoQkmU

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Catastroika

It was at the beginning of 1989 when the French academic Jacques Rupnik sat at his desk, in order to prepare a report on the state of the economic reforms in Mikhail Gorbatsov’s Soviet Union. The term that he used in describing the death rattle of the empire was “Catastroika”. In Yeltsin’s time, when Russia instituted maybe the biggest and least successful privatization experiment in the history of humanity, a group of Guardian reports assigned a different meaning to Rupnik’s term. “Catastroika” became synonym of the country’s complete destruction by market forces; the sell off of public property; and the steep deterioration of citizens’ living standards. Now, Catastroika’s unit of measurement was unemployment, social impoverishment, declining life expectancy, as well as the creation of a new cast of oligarchs, who took over the country’s reins. A few years later, a similar effort to massively privatize public property in unified Germany (which is presented as a model for Greece) created millions of unemployed and some of the biggest scandals in European history.

It is this “Catastroika” that is coming soon to Greece; to “Europe’s last Soviet Republic” as the MPs and the ministers of its former “socialist” government liked to call it. Catastroika is the logical aftermath and continuation of “Debtocracy”. Therefore, the logical sequence of our
first documentary, which examined the causes of the debt crisis in Greece and the European periphery as a whole.
Nevertheless, Catastroika is a virus that attacks not only the countries that radically change their economic system (like Russia) or countries under financial occupation. In fact, maybe the most unsuccessful privatization examples occur in financial superpowers that theoretically have the financial strength to control their negative consequences.
Catastroika can be spotted in post-Thatcherite Britain, where citizens were killed in accidents at the privatized rail network. It can be detected in the Dutch privatized and liberalized postal sector, where thousands of jobs have been cut and mail arrives at one’s door two to
three times per day. It can be detected even in California, which left her citizens in the dark when it deregulated the energy market.
However, its consequences are the gravest and most frightening at countries which fell in the trap of foreign lenders and are obliged to proceed to mass privatization. The public property sell-off which takes place in Greece has been tried several times in similar circumstances. The same people, who undertook the selling of public utilities in Latin American countries, now have moved their office in countries of the European periphery –and the most competent among them have been travelling to Athens during the last months.
The procedure always follows exactly the same steps: In the beginning, the government, in collaboration with mass media, starts a forceful attack against public servants, who are presented as responsible for all the country’s financial woes. The myth of the overextended public sector is often based on manipulated data from organizations supported and supporting the government of the time. Concurrently, specific public organizations are deliberately left unsupported, exasperating citizens due to their inefficiency. The process is completed by the sell-off of even the most profitable public organizations at a fraction of their real value.
Catastroika’s team is already travelling in many countries, collecting images, information and material on deregulation and privatization programs that have been implemented at the so-called “developed” world. The final result of the research is never black or white. The divide between the “social character” of the public sector vis-à-vis the inhumane face of the free market is equally simplistic as the theories of Milton Freedman that professed the need to privatize even the air that we breathe. The Greek case however supersedes the simple theoretical discussion on the role of the country in the economy.
Once more, the documentary will be distributed online under creative commons licence. The free circulation of Catastroika is not just an “obligation” to our co-producers. It is our deeper and, if you prefer, philosophical belief that each product of intellectual creation should be freely available to all. The current financial system, while based all the more on the production and management of information, is incapable by its nature to find a way to secure the remuneration of information creators. This is probably one of many dead-ends in the development of the economy’s productive forces, which may soon threaten the bases of the current financial system. Because, as it is well known, every system that stopped the development of the productive forces fell apart – and you can ask the feudalists about that…

War Made Easy: How Presidents & Pundits Keep Spinning Us to Death

In real time, officials have explained and justified these military operations to the American people by withholding crucial information about the actual reasons and potential costs of military action again and again, choosing to present an easier version of war’s reality; a steady and remarkably consistent storyline designed not to inform, but to generate and maintain support and enthusiasm for war. War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Narrated by actor and activist Sean Penn, the film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations.

From: http://topdocumentaryfilms.com/war-made-easy/

The New American Century

From: http://www.youtube.com/watch?v=p-ONhpNeWQA

The Untold History of The Project for the New American Century

This documentary film goes in detail through the untold history of The Project for the New American Century with tons of archival footage and connects it right into the present.

It exposes how every major war in US history was based on a complete fraud with video of insiders themselves admitting it. This film shows how the first film theaters in the US were used over a hundred years ago to broadcast propaganda to rile the American people into the Spanish-American War.

This film shows the white papers of the oil company Unocal which called for the creation of a pipeline through Afghanistan and how their exact needs were fulfilled through the US invasion of Afghanistan.

This documentary shows how Halliburton under their “cost plus” exclusive contract with the US Government went on a mad dash spending spree akin to something out of the movie Brewster’s Millions, yet instead of blowing $30 million they blew through BILLIONS by literally burning millions of dollars worth of hundred thousand dollar cars and trucks if they had so much as a flat tire.
Produced by Massimo Mazzucco.

“A stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I’m sure the film will continue to be a source of debate and political education for many years. Maybe until the war criminals have been brought to trial.” – Ken Loach While Massimo Mazzucco’s first political documentary, GLOBAL DECEIT (2006), focused on the long list of inconsistencies in the official version of the 9/11 attacks, THE NEW AMERICAN CENTURY explores the historical, philosophical and economic background that suggests a matrix for such events that is much closer to home than the so-called “Islamic terrorism”. The film provides solid evidence for the true reasons behind the Afghanistan and Iraq wars, whose unfolding is described in chilling detail in a document called “Project for the New American Century”, published in the year 2000, that seems to have served as the actual blueprint for such dramatic events.

Food Matters

Food Matters is a 2008 documentary film about nutrition, exploring malnutrition and cancer causes.[1] The film is presented in the style of a documentary, containing interviews, animations, and footage of various therapies and practices. The film presents the thesis that a selective diet can play a key role in treating a range of health conditions such as diabetes, cancer, heart disease and depression,[2] often without the need of medical treatment. Furthermore, it tends to label the medical industry as a “sickness industry” profiting from sickness as opposed to health, and goes up to the point of accusing the medical and pharmaceutical industries of a conspiracy to perpetuate poor health, and thus, maximise their profit.

The film promotes vitamins and a raw food diet; other claims are depression treated with vitamin B3 (niacin) and cancer cured with vitamin C.

From: http://en.wikipedia.org/wiki/Food_Matters

Inside the Revolution: A Journey into the Heart of Venezuela

Inside the Revolution: A Journey into the Heart of Venezuela is a documentary written and directed by Pablo Navarrete and released ‎ by Alborada Films in 2009. Staged in Caracas in November 2008 on the eve of local elections, the documentary offers a grassroots perspective of the Venezuelan Bolivarian Revolution from the people driving the process forward and reflects more widely on the significance of the revolution for the future of Venezuela, US imperialism and socialism.

From: http://en.wikipedia.org/wiki/Inside_the_Revolution:_A_Journey_into_the_Heart_of_Venezuela

The Revolution Will Not Be Televised

The Revolution Will Not Be Televised (Spanish: La revolución no será transmitida), also known as Chávez: Inside the Coup, is a 2003 documentary focusing on events in Venezuela leading up to and during the April 2002 coup d’état attempt, which saw President Hugo Chávez removed from office for two days. With particular emphasis on the role played by Venezuela’s private media, the film examines several key incidents: the protest march and subsequent violence that provided the impetus for Chávez’s ousting; the opposition’s formation of an interim government headed by business leader Pedro Carmona; and the Carmona administration’s collapse, which paved the way for Chávez’s return. The Revolution Will Not Be Televised was directed by Irish filmmakers Kim Bartley and Donnacha Ó Briain. Given direct access to Chávez, the filmmakers intended to make a fly-on-the-wall biography of the president. They spent seven months filming in Venezuela, following Chávez and his staff and interviewing ordinary citizens. As the coup unfolded on 11 April, Bartley and Ó Briain filmed on the streets of the capital, Caracas, capturing footage of protesters and the erupting violence. Later, they filmed many of the political upheavals inside Miraflores, the presidential palace.

Bartley and Ó Briain conceived of the film after Bartley returned from documenting the aftermath of the 1999 Vargas mudslides for an Irish charity. Following a visit to Venezuela to determine the feasibility of a film project, the pair formed a production company and applied to Ireland’s film board, Bord Scannán na hÉireann (BSÉ), for a development grant. At BSÉ’s request, the filmmakers partnered with a more experienced producer and shot a short pilot to show to potential investors. Funding for the €200,000 production was provided by BSÉ and several European broadcasters. Bartley and Ó Briain shot more than 200 hours of material; editing focused on identifying footage that would make the film entertaining and drive the plot. It was at this stage that the film’s coverage narrowed to concentrate more on the coup attempt.

The film was positively received by mainstream film critics and won several awards. Reviewers cited the filmmakers’ unprecedented proximity to key events and praised the film for its “riveting narrative”;[1] criticism focused on its lack of context and pro-Chávez bias. First shown on television in Europe and Venezuela in 2003, The Revolution Will Not Be Televised later appeared at film festivals and secured a limited theatrical release on the art house circuit. Independent activists held unofficial screenings, and Venezuelan government officials encouraged its circulation to build support for Chávez’s administration. The film is regularly shown on Venezuelan television, and in the capital it is often broadcast during “contentious political conjunctures”.[2] The Revolution Will Not Be Televised paints Chávez in a favorable light, which has led to disputes over its neutrality and accuracy; particular attention is paid to its framing of the violence of 11–13 April, the filmmakers’ editing of the timeline, and the alleged omission of incidents and personnel. The film is variously cited as an accurate portrayal or a misrepresentation of the events of April 2002.

From: http://en.wikipedia.org/wiki/The_Revolution_Will_Not_Be_Televised_%28film%29